Everyone has an inner critic. The inner critic is there to protect you from doing dangerous things. But it can also make us too cautious.But writing isn’t dangerous and we should learn to use our inner critic to help us write.
The inner critic serves as a guardian angel to keep you safe and doing something dangerous. When it comes to life and death situations, the anxiety from your inner critic causes you not to act. But you don’t need your inner critic to write.You need to act to write. Have your inner critic give you permission to write.
I just finished a book about my experiences with my partner who died of Alzheimer’s in his sixties (Touch My Head Softly, Finishing Line Press, 2021.) It was a hard book to write and i struggled with my inner critic. But the writer in me won out in the end.
Part of the proceeds of the book will go to the Alzheimer’s Association, so it’s all positive. Take a look:
Finding your own unique voice in your writing can be a challenge, but one worth pursuing.
One way to begin is by finding unique voices that you like in published writers. Billy Collins suggests finding a poem that you like and writing it out to discover exactly what makes it unique. What is it that drew you to it? The language, the topic, the genre? No matter what you’re writing: creative nonfiction, a blog, a poem, read other writers who have been successful in that genre.
But in the end, there’s only one unique you who has your own story to tell. You don’t necessarily have to write memoir or autobiography, but bring your own individual experiences to your writing. Focus on what you know, what interests you. If you love food, eating it, growing it, cooking it, write about that in a nonfiction article. If you’re a birder, out mornings observing birds, bring birds into your poem or short story.
I recently published a collection of poems about Alzheimer’s Disease, which I knew through my experiences with my partner. It was published by Finishing Line Press. Take a look:
Weather can be a major factor in a story or poem. If you look out your window, you can be inspired. I live in Western Massachusetts, where they say “If you don’t like the weather, just wait.” It changes rapidly from beautiful sunny days, to mist, to rain, to snow, sometimes in the same day. I usually spend some time in Costa Rica in the winter, where I am now, where there are many ecosystems in a little country, including temperate, dry, tropical, sub-tropical. There is a dry and a rainy season, and the winds, called Papagayo, blow across the Cordillera del Talamanca.
Think of all the climates in novels. British author J. Ballard in The Wind from Nowhere, creates a dystopia in which hurricane-force winds dominate the climate. Mother of Storms by John Barnes describes a catastrophic weather change caused by a nuclear explosion. Margaret Atwood’s Oryx and Crake, where the world is divided into gated communities and pleeblands where the working class lives in unsafe, populous and polluted communities. Weather in a book an be a plot motivator or scene setter.
And where would we be without nature poems. Think of William Wordsworth, “I Wandered Lonely as a Cloud,”
I wandered lonely as a cloud That floats on high o’er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.
March has brought unusually beautiful weather Costa Rica, with sunny skies, and wind blowing cooling breezes through the mountains. I hear the Northeast has been engaged in “glorious spring” with temperatures largely in the 60’s Fahrenheit.
Storms really are unpredictable. They can add an interesting plot twist to a novel, or line to a poem. And they can move from dangerous, unpredictable weather, to rainbows and sunshine. How does this affect your plot?
In my latest book of poetry, Touch My Head Softly, the story involves my lover who had dementia. While I see an “unrelenting grey,” my partner, in his altered state, sees “white lilies surviving frost.”
For me, writing is both. I have been writing since I was eight years old and can’t seem to stop. But I’ve also published three books, derived income from my publishing, which in some circles would make me a professional writer. You just have to write to make it work. It doesn’t have to be brilliant or inspired, it just has to be. You keep going.
You might do many other things besides writing to support yourself, but you still write through it. Stephen King was a high school English teacher. During this time, he wrote his first novel, Tabitha. He kept going despite his busy job.
You are the only one capable of writing your story. It is unique. It belongs to you. Even if you find similarities in the work of other authors who you read, your story is still your story.
I wrote a book of poems about my experiences with my partner dying of Alzheimer’s Disease in his sixties. I even donated part of the proceeds from the book to the Alzheimer’s Association to find a cure.
As writers, we are always looking for the new thing that is going to sprint our writing forward. The inspiration, if you will.
Procrastinating , spending more time thinking about writing than actually writing. I happens to all of us. When I get a block, I just write through it. You may wind up throwing out what you’ve read, but it will get you moving to the writing that you do want to keep.
Writing is a simple process. You sit down at your desk, and you write. That’s it. Whether you feel like it, or not. Even if you’d much rather do just something else. The professional writer keeps going, no matter what.
I wrote a book of poetry about my former partner who died of Alzheimer’s. It was a painful topic for me, but eventually I did it. I’m glad I did. It was recently published by Finishing Line Press. Take a look:
I like this positive quote by Norton Juster. Possibility/Probability theory is a mathematical concept that Zadeh (1978) put forth as a possibility/probability consistency theory. I consider it more as an optimistic outlook. The Oxford dictionary defines it as a thing that may happen or be the case.
If you have possibilities, you are optimistic about the future. When my ex-partner died of Alzheimer’s Disease in his sixties, I felt pessimistic. My possibilities seemed limited. Then I wrote a book of poems about the experiences. This was recently published in a collection called, “Touch My Head Softly,” by Finishing Line Press. I opened up many possibilities for me, as well as giving me closure on much of my grieving.
Here is the link to my book at Finishing Line Press:
You may have come to think of writing as a solitary, lonely process. And sometimes it is, especially during the pandemic. But writing is a social exchange. We write, often, to publish and put our writing out into the world. Here other people interact with our words, read it, understand it, and sometimes respond.
As a lifelong writer, I do often write in isolation, but I find my best writing comes from sharing it with other writers, or a mentor, and getting their feedback. How do you use speech to further your writing?
This is the link to my new book of poems at Finishing Line Press:
I find myself having writerly thoughts as I am driving, walking, swimming. I pull over and blog on my iPhone if I get a good thought. I used to have a notebook in my car, by my bed stand, but it often disappeared when I needed it. I find I have by IPhone more regularly.
I’ve got a book, Touch My Head Softly, coming out soon from Finishing Line Press. There is always work around a new book, with readings and interviews, but I find myself looking toward my new work eagerly. I haven’t really decided on the next collection, but some new ideas are germinating.
Do you think about your writing as you go through your day? Do you write the thoughts down and write from them later?
Here’s the link to my new book on Finishing Line Press: