Writing as a Business

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Years ago, an artists success was determined by art critics, collectors and publishers. Today, this has changed. Today these people are no longer in power and the writer is often an entrepreneur if she/he wants to make an income from her/his writing.

Vincent Van Gogh chose not to go commercial and only sold a few paintings in his life. Andy Warhol created The Factory to create and promote his work as an assembly line process. Writers also fall into different categories of commercialness. Some just prefer not to publish and read and write within circles of writing groups and friends. Others put a lot of effort into reading, blogging, working with publishers, etc. in order to sell copies. Some writers publish and promote their own books, while others publish with publishers and work in conjunction to promote the book.

Today’s artist/writer may have to brand their work, build an online presence, and stay aware and use social media trends. Margaret Atwood, with her book Testament, the sequel to A Handmaiden’s Tale, attracted hundred of fans to her book launch in London by having women dressed in red capes and white bonnets. She also simulcast it in three cities. She has been on the best-seller’s list many times.

Writers have to develop other skills besides writing to sell copies of their books. This means taking advantage of social media, blogging, and podcasting in order to reach potential customers. A writer has to decide how much time she/he wants to spend on promotion, which does take away from the creativity.

Check out my new collection of poems at: https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Getting Distracted While Writing

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It’s really easy to get distracted when you write, especially now that we’re all largely home working and there are phone calls, emails and housework all conspiring to take away the writing time.

The human brain takes around 17 minutes to refocus on a task after a distraction. Losing focus while in the middle of writing, can seriously damage the quality of your content. If you want your writing to be the best quality content possible, you need to get rid of distractions.

Disable all notification on your computer and put your phone on silent so that you do not get disturbed in the middle of a writing session.  Be disciplined enough to either do your housework  before you write, or better yet, delay it until after your writing session.

If you put your writing first, you get more accomplished and the quality of the content will be better.

During the pandemic I wrote a collection of poetry and had it published.  I did this by focusing.  Take a look at the book:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Rejection Therapy in Writing

Ok, so your piece has been rejected. As writers, we all go through it. Rejection can be defined as the act of pushing something away. We submit a piece or a manuscript somewhere where we think it will be a fit, and the powers that be don’t see it that way.

One thing I find that helps is knowing that publishing is just a business. A publisher is looking for something specific and your writing may not fit the bill. It doesn’t mean that it’s bad, it just means it’s not what the publisher is looking for.

Most editors don’t comment on their rejections, but if you do get feedback, you may learn from it. I had an editor tell me I was using too many adjectives and adverbs. I took the advice to heart and started editing them out, and it made my writing stronger.

When a piece has been rejected several times, I try revising it. Language in its uneducated, natural form, reveals if we uncouple our own judgment and explore linguistic vehicles, the piece may be better. In poetry, it sometimes means trying a different format. If it’s a free verse poem, I’ll try something more formal, like a pantoum or sonnet. It sometimes can provide a different, more successful vehicle for the piece.

Another thing I sometimes try is reordering the piece. The last line might not be right. The last line might be found a stanza or two up. Maybe I’ve done too much explaining, and it wants cutting. Or the beginning of the piece might better serve it in the middle.

When I did my last collection, “Touch My Head Softly,” I kept rearranging the order of the poems. Then I realized nothing fit the beginning. So I wound up writing a prose poem to start off the collection.

When I’m going through rejections, I sometimes remind myself why I like to write, and this often makes me feel better. I wrote the poems in Touch My Head Softly, about my partner who died of Alzheimer’s in his sixties. It helped me to get through my grief by doing this and this became an end in itself.

You can view my collection Touch My Head Softly, at:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Touch My Head Softly can be viewed on Goodreads at:

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https://www.goodreads.com/review/show/3609820860https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Read to Write

“Read, read, read. Read everything – trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it’s good, you’ll find out. If it’s not, throw it out of the window.” 
― William Faulkner

I find this so true. I spend much more time reading than writing. I’m always marveling at the innovative way a writer has handled a particular passage or verse.

I blogged I would blog announcements on Tuesday and my regular blog on Thursday and so far I’m on schedule!

I have a new book of poetry coming out from Finishing Line Press. Check it out:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

“There is no greater agony than bearing an untold story inside you.” ― Maya Angelou, I Know Why the Caged Bird Sings

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Storytelling, an ancient art form, allows writers to make sense of the world and derive deeper meaning from their lives since the beginning of human history.

Storytelling takes practice and there are things you can do to improve your technique. You want to have clarity when you tell a story. It should have a central theme and you should keep your eye on that theme as you go along. If you want to tell an engaging story, keep the tension up to the end. Be clear about the plot point that builds the story.

Great literature is crafted around characters that have great obstacles in their way, and eventually overcome them. You must embrace conflict if you want to engage your readers.

A good story has a beginning, middle and ending. A successful story might start with an inciting incident, lead into accelerated action, build to a climax and resolve. A good path to becoming a good storyteller is to read good storytellers. A good writer reads a lot. There’s a reason The Illiad and the Odyssey are still read after centuries of being told and written.

Observe good storytellers. See how they engage their audiences. This can be a family member who weaves tales of ancestors or a politician who engages the public

While reading other writer’s stories is essential, it’s also important to draw on your own experiences. This way your stories will ring true. Be an observer and use those observations. If you can’t use your recall for details, go research and re-experience. I recently revisited three locales I’m writing a story about: New York City, the Nevada desert, and the mountains of Costa Rica.

What places do you write about?

Persistence and the Writing Process

They say a journey of a thousand miles starts with a single step.  I often think of the writing process when I hear that old adage.  Writing can seem laborious when we proofread, edit, revise.  These are the mundane parts of the process. The joy, for me, is in the creation, but that’s only one stage of the writing process.

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So try to enjoy the journey, and not just the final, published product.  Writing groups can help as you can share your writing with others and self-edit along the way.  Writing is an isolating activity and a group of writers can help with the isolation. You can also get good suggestions from fellow writers.

Readings can help also.  Reading a work in progress can help to get feedback and it also helps to hear your work aloud.  Samuel Butler says “I feel weak places at once when I read aloud where I thought, as long as I read to myself only, that the passage was alright…” The act of reading, line for line, can help the writer focus in a way that just rereading again can’t.

It took me ten years to write my most recent collection of poems, Touch My Head Softly (Finishing Line Press, 2021.) I kept starting and stopping, but reading the poems aloud in writing groups helped to keep me going. The members of my group also encouraged me to publish, which I eventually did.

Check out the collection at:

#https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Earth, Wind, Air and Fire as Elements of Your Writing

The four elements: earth, wind, fire, water in your writing can be exhilarating. They can be used to make your plots more interesting, your poetry more vivid.

The four elements can be nurturing, but they can also destroy. There is much possibility in these primitive forces. Fire, for instance, can be cleansing or destructive at the same time.  The four elements can also be nurturing and life affirming. Seeds in the earth, when it meets water, can grow plants. There is a cycle of renewal.

Nature’s climate is disconnected from the political climate.  Birds sing, regardless of the presidential elections.  It’s grounding to go out and take a walk in nature and think about the universality of life, and you’re writing,

I recently began a narrative poem about what would happen if the earth started drowning, as they’re predicting it will.  What if nature really went wild and the water flooded the earth?

My most recent collection of poems touched on the world of illness and alternate states of reality.  Check it out:

#https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

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I will continue to blog announcements on Tuesdays, if I have one, and Thursdays for my regular blogs.

I’m Delighted to Be Included: In This Together: A Virtual Exhibit on Planetary and Human Health July 5 to September 5, 2021

I am delighted to be included with more than 40 wonderful artists and writers in the new Forbes Library/Hosmer Gallery Exhibit: In This Together: A Virtual Exhibit on Planetary and Human Health running from July 5 to September 5, 2021.

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Check out these wonderfully talented artists and writers:

Two Books on Loved Ones With Dementia

Have you ever had the experience of finding someone who wrote a book on a similar topic to yours? It’s not exactly déjà vu, but there is definitely resonance there.  I just published a collection of poems about my partner who died of Alzheimer’s and Dementia in his 60’s (Touch My Head Softly, Flutter Press, 2021.) and this book I discovered was about caring for an elderly mother with among other things, dementia (Why Is Grandma Naked?: Caring for Your Aging Parent,Kelsay Books, 2021.)  The scenarios are not the same, but many similarities about caretaking and emotions in this situation are similar.

Author Ellen Pober Rittberg, playwright, talk-show host, attorney, writer, approaches the subject of caring for the aging family member, who wants to among other things, take off clothes in inappropriate situations, with humor and grace. My book of poems talks about, when my partner accuses me falsely of infidelity, of how to survive the ordeal of a loved-one in an altered state of reality.

Rittberg describes her journey with her mother as joyous, stressful, life-altering and worth every bit of energy because “we never know how long our parents will be with us.”  My poetry is more a backward look at what went on to make sense of the experience.  Rittberg talks about the nursing home dilemma, especially relevant post-pandemic, that she faced with her mother and family, My poems deal with the dilemma of the death.

Feel free to take a look at either or both books at:

http://www.ellenrittberg.com

#https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Rejection is Inevitable for the Writer

If you are a writer, and you want to publish, you have to submit your work to a publisher, a journal, a magazine, a website….If you submit, you will be rejected.  No one who submits goes without this inevitable experience.

I recall reading Thor Heyerdahl’s account of his myriad rejections of Kon-Tiki.  He said one editor wrote that no one would buy into an account of a crazy person sailing 5,000 miles across the Pacific in a hand-made raft and another who said no one was interested in Oceana or sailing anymore. 

Rejection can be valuable.  It can cause us to re-examine, refine and re-edit.  Maybe it will make our work better.  You can learn things about the market from rejection.  How can you make it more universally appealing?  Remember, rejection is not personal.  It’s about the work, not you.  The publisher doesn’t even know you.  

Sometimes rejections are worthless.  Just because a person is an editor does not mean they’re qualified to pass literary judgments.  But if you keep getting the same criticism of a piece, a repetition, then maybe it is a valid criticism that you could heed and use to rewrite.

I once got so frustrated with rejections, I wrote a poem about it:

Villanelle for the Rejected Poet

The Exalted Society regrets to inform 

That despite your verse’s abstruse plot

Your poem was rejected by the Writers Reform.

We do not understand your sonata-like form

Your work has no rhyme nor school of thought

The Exalted Society regrets to inform.

We do not like to discourage or misinform

Please with some other place find a spot

Your poem has been rejected by the Writers Reform.

Do not whine, criticize, or fill out a claim form

Your work left us confused and distraught

The Exalted Society regrets to inform.

Do send a check or cash with this subscription form

With your handiwork contact us not

Your poem has been rejected by the Writers Reform.

We publish all races, creeds, genders and artists’ forms

From everyone but you – we have got

The Exalted Society regrets to inform

Your poem was rejected by the Writers Reform.

                                    Published in The Road Not Taken, Fall 2013

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