It’s really easy to get distracted when you write, especially now that we’re all largely home working and there are phone calls, emails and housework all conspiring to take away the writing time.
The human brain takes around 17 minutes to refocus on a task after a distraction. Losing focus while in the middle of writing, can seriously damage the quality of your content. If you want your writing to be the best quality content possible, you need to get rid of distractions.
Disable all notification on your computer and put your phone on silent so that you do not get disturbed in the middle of a writing session. Be disciplined enough to either do your housework before you write, or better yet, delay it until after your writing session.
If you put your writing first, you get more accomplished and the quality of the content will be better.
During the pandemic I wrote a collection of poetry and had it published. I did this by focusing. Take a look at the book:
When I write, I try to use language that fits the audience and matches the content of the poem. Inappropriate language can turn your reader or listener off before you even get them started.
You want your own unique voice to come through in your writing, but you don’t want that voice to stop your reader from going on. When I read aloud to an audience, I choose different material than when I know the reader will be reading. Some writing is better heard aloud and other writing needs to be read to grasp the ideas and complexities.
When you’re in a line-up of writers at a reading, you usually only have a few minutes to grab your audience. I usually use poems with repeated lines when I read aloud, and shorter, rather than longer poems.
I will be doing a reading from my recent collection Touch My Head Softly (Finishing Line Press, 2021) at a closing reception at the Hosmer Gallery of the Forbes Library virtually. Check it out:
The word polish means to make something smooth and shiny, like leather shoes So what does it mean to polish your writing?
Does it mean to go through your piece and get rid of minor errors? Or does it mean to improve or perfect? To me it means go over your writing and make sure that it all makes sense. This differs from editing in my mind, which refers more to going over your piece for minor errors in punctuation or grammar.
I am currently writing a long narrative poem, about the drowning earth, interspersed with haiku. There’s a lot to follow. I do a draft and then read it over once, revising as I go. It’s not yet polishing, which I do at the end.
My most recent collection of poetry that I published was a different process. It was a highly emotional collection about the death of my partner to Alzheimer’s. It was painful to write, and I just got it out on paper periodically over a number of years. I then polished it at the end. Take a look:
Ok, so your piece has been rejected. As writers, we all go through it. Rejection can be defined as the act of pushing something away. We submit a piece or a manuscript somewhere where we think it will be a fit, and the powers that be don’t see it that way.
One thing I find that helps is knowing that publishing is just a business. A publisher is looking for something specific and your writing may not fit the bill. It doesn’t mean that it’s bad, it just means it’s not what the publisher is looking for.
Most editors don’t comment on their rejections, but if you do get feedback, you may learn from it. I had an editor tell me I was using too many adjectives and adverbs. I took the advice to heart and started editing them out, and it made my writing stronger.
When a piece has been rejected several times, I try revising it. Language in its uneducated, natural form, reveals if we uncouple our own judgment and explore linguistic vehicles, the piece may be better. In poetry, it sometimes means trying a different format. If it’s a free verse poem, I’ll try something more formal, like a pantoum or sonnet. It sometimes can provide a different, more successful vehicle for the piece.
Another thing I sometimes try is reordering the piece. The last line might not be right. The last line might be found a stanza or two up. Maybe I’ve done too much explaining, and it wants cutting. Or the beginning of the piece might better serve it in the middle.
When I did my last collection, “Touch My Head Softly,” I kept rearranging the order of the poems. Then I realized nothing fit the beginning. So I wound up writing a prose poem to start off the collection.
When I’m going through rejections, I sometimes remind myself why I like to write, and this often makes me feel better. I wrote the poems in Touch My Head Softly, about my partner who died of Alzheimer’s in his sixties. It helped me to get through my grief by doing this and this became an end in itself.
You can view my collection Touch My Head Softly, at:
“Read, read, read. Read everything – trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it’s good, you’ll find out. If it’s not, throw it out of the window.” ― William Faulkner
I find this so true. I spend much more time reading than writing. I’m always marveling at the innovative way a writer has handled a particular passage or verse.
I have a new book of poetry coming out from Finishing Line Press. Check it out:
Writer’s block, or when an author is unable to produce new work, happens to all writers.
Try writing something of special interest to you. Write down all the primary ideas you’d like to write and then write the smaller ideas that make up the big ideas. Then write an outline of these ideas.
Now you have an outline that is a starting point. Research your topic.
Now you have an outline and some new thoughts to add to your outline. When I wrote my most recent collection of poems, when I was blocked, I started reading other formal poetry forms. I would take a concept I wanted to write a poem about, I’d choose a form and try to
follow the form into the idea. Either the form would work, like a narrative poem, a haiku, or a pantoum, or I would write outside of the form and wind up with a draft of a new poem.
Join me and many other artists and writers for the closing reception of this amazing visual art, poetry, prose and video exhibit by Western Massachusetts Authors and Artists on August 31 at 6:30 p.m. Go to the link below to get the link to the reading.