Writing Distracted

It’s really easy to get distracted when you write, especially now that we’re all largely home working and there are phone calls, emails and housework all conspiring to take away the writing time.

The human brain takes around 17 minutes to refocus on a task after a distraction. Losing focus while in the middle of writing, can seriously damage the quality of your content. If you want your writing to be the best quality content possible, you need to get rid of distractions.

Disable all notification on your computer and put your phone on silent so that you do not get disturbed in the middle of a writing session.  Be disciplined enough to either do your housework  before you write, or better yet, delay it until after your writing session.

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If you put your writing first, you get more accomplished and the quality of the content will be better.

During the pandemic I wrote a collection of poetry and had it published.  I did this by focusing.  Take a look at the book:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

On Writing and Depression from Leonard Cohen

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I speak of a clinical depression that is the background of your entire life, a background of anguish and anxiety, a sense that nothing goes well, that pleasure is unavailable and all your strategies collapse. –Leonard Cohen

This quote from Leonard Cohen certainly mirrors my own feelings from time to time, especially about writing. The world often seems chaotic these days. So how do you write through it?

A writer can feel stuck when depressed. Being on a roll and suddenly having the creative juices dry up is something all creative people experience. Watching your process slowly break down until you are at a standstill. Staring at the blank page. You try to write your way out of it, but you hate every word. It connects to a larger phenomenon of lacking ideas or any endeavor that requires creativity.

Stephen King advises the “write yourself out of it” approach. Many writers believe the words we put down are indeed worthless and not worth the time. They fear ruining the piece. But the reality is sometimes we just need to write through the dry periods. Like athletes doing practice drills, we just have to keep at it until the good material comes back. If we don’t keep writing, we won’t be at our computers when the good stuff comes.

While much of writer’s block is steeped in depression, there are all sorts of other challenges that impact writing as well. Physical health, mental health, and emotional health can affect performance across. If you are struggling with depression, you might still be able to write like always, just as people with depression can joke with their friends or go through the motions at writing even though they are struggling inside.

Leonard Cohen, who suffered from depression, was certainly a model for “writing through it.” He was in the middle of composing a poem when he died. I like to think of that when I get discouraged with my writing.

I will be blogging on Thursdays. Follow me here.

Thanks to the Mass Poetry Festival

Thanks to the Massachusetts Poetry Festival for sponsoring our reading of Alzheimer’s Poems.

I read with some amazing poets: Gail Thomas, Christine Jones and Eric Hyatt. It was a great experience!

I’ll be blogging on Thursdays. Follow me here.

Eric Hyett to Read at the 2023 Massachusetts Poetry Festival

Eric is a wonderful poet and translator. Here is his profile: Eric Hyett is a poet and Japanese translator from Brookline, Massachusetts. His first book of poetry, “Aporia,” was published in 2022 (Lily Poetry Review Books). With Spencer Thurlow, Eric co-translated “Sonic Peace,” by contemporary Japanese female poet Kiriu Minashita, (Phoneme Media, 2017) which was shortlisted for the 2018 National Translation Award. Eric and Spencer’s award-winning translation of “Is It Poetry” by Toshiko Hirata is forthcoming from Deep Vellum Publishing in August, 2023. Eric’s poems, essays and translations are part of the dialogue in Granta, The Georgia Review, Lily Poetry Review, The Hudson Review, World Literature Today and Modern 

I have the pleasure of reading with Eric Heatt, as well as Gail Thomas, and Christine Jonesat this workshop called “Now As Mother: In the Presence of Loved Ones With Alzheimer’s” at 11:30 am at the 2023 Massachusetts Poetry Festival.

According to the National Institute on Aging, Alzheimer’s is a brain disorder that slowly destroys memory and thinking skills, and it’s estimated that over six million Americans struggle with dementia as a result. To be in the presence of someone with Alzheimer’s is a lesson in appreciating the very present moment because both the past and future are unattainable to those individuals inflicted. As caregivers, we try to hold this space. As poets, we turn to language to help undertand and accept. In this group reading, followed by a Q&A, we’ll read our poetry and discuss our own experiences caring for a loved with Alzheimer’s disease.

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Come and join us in Salem, Massachusetts at 11:30 am on Saturday, May 6. https://masspoetryfest2023.sched.com/?utm_medium=email&utm_source=admins&utm_campaign=global-password_reset-A&utm_content=header-link

I’m Grateful to Starry Starry Kite for Publishing My Poem in Response to Daydreams by Irene Christensen

Daydreams

Two enigmatic women,

their Botticelli beauty

looms undeniable.

Like the butterfly

they long to glide away,

their earth in tatters.

Floating between blood

and a wrathful world naked,

they envision peace.

About the Poet

Eileen P. Kennedy is the author of two collections of poetry: Banshees (Flutter Press, 2015), which was nominated for a Pushcart Prize and won Second Prize in Poetry from the Wordwrite Book Awards, and Touch My Head Softly (Finishing Line Press, 2021) which Literary Titan has described asemotionally-charged poetry that explores life with observant poems that will appeal to anyone who loves inspired poetry.” It was a finalist for the International Book Awards in General Poetry. She lives in Amherst, MA with the ghost of Emily Dickinson. More at www.EileenPKennedy.com.

About the Artist

Irene Christensen’s art is about painting as a magical act. Her images repeat and are transformed, as words and images in poems. She likes to maintain a sense of wonder in her art. That life is strange and quirky, and contradictory, that tragedy and comedy are not played out in separate theaters, but co-exist, side by side. More at ireneartster.wordpress.com

Check out “Daydreams” and two other paintings and poems by Irene and myself at Starry Starry Kite:

https://www.lindacastronovo.com/theonlinejournal

See my interview with the editor here:

Christine Jones to Read at the 2023 Massachusetts Poetry Festival

Christine is an accomplished poet and editor. Here is her profile: Christine Jones lives in Orleans, MA and is the author of Now Calls Me Daughter (Nixes Mate Review, 2022) and Girl Without a Shirt (Finishing Line Press, 2020), also co-editor of the anthology, Voices Amidst the Virus: Poets Respond to the Pandemic (Lily Poetry Review Books, 2020). She is the founder/editor-in-chief of Poems2go and associate editor of Lily Poetry Review. Her poetry can be found in numerous journals and anthologies in print and online. 

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According to the National Institute on Aging, Alzheimer’s is a brain disorder that slowly destroys memory and thinking skills, and it’s estimated that over six million Americans struggle with dementia as a result. To be in the presence of someone with Alzheimer’s is a lesson in appreciating the very present moment because both the past and future are unattainable to those individuals inflicted. As caregivers, we try to hold this space. As poets, we turn to language to help undertand and accept. In this group reading, followed by a Q&A, we’ll read our poetry and discuss our own experiences caring for a loved with Alzheimer’s disease.

I have the pleasure of reading with Christine Jones, as well as Gail Thomas and Eric Hyett at this workshop called “Now As Mother: In the Presence of Loved Ones With Alzheimer’s” at 11:30 am at the 2023 Massachusetts Poetry Festival.

Come and join us in Salem, Massachusetts at 11:30 am on Saturday, May 6. https://masspoetryfest2023.sched.com/?utm_medium=email&utm_source=admins&utm_campaign=global-password_reset-A&utm_content=header-link

I’m Grateful to Starry Starry Kite for Publishing Three of my Ekphrastic Poems that Responded to Three Paintings by Irene Christensen. Here’s One:

I Feel Close to Nature Too

I feel close to nature too

earth moves in the hot sky

green leaves grow my hair

mountains erupt my skin

when you step on me I cry

I feel close to nature too

my eyes wash blue seashells 

my face erodes sand from the shore

ground has no home for living

suffocating in a polluted candy corn sky 

I feel close to nature too

writhing, dying in the heat

a red leaf dragon swallows

the trees growing in the night forest

I must preserve the charging planet beast

I feel close to nature too

About the Poet

Eileen P. Kennedy is the author of two collections of poetry: Banshees (Flutter Press, 2015), which was nominated for a Pushcart Prize and won Second Prize in Poetry from the Wordwrite Book Awards, and Touch My Head Softly (Finishing Line Press, 2021) which Literary Titan has described as “emotionally-charged poetry that explores life with observant poems that will appeal to anyone who loves inspired poetry.” It was a finalist for the International Book Awards in General Poetry. She lives in Amherst, MA with the ghost of Emily Dickinson. More at www.EileenPKennedy.om

About the Artist

Irene Christensen’s art is about painting as a magical act. Her images repeat and are transformed, as words and images in poems. She likes to maintain a sense of wonder in her art. That life is strange and quirky, and contradictory, that tragedy and comedy are not played out in separate theaters, but co-exist, side by side. More at ireneartster.wordpress.com

Check out the poems on Starry Starry Kite https://www.lindacastronovo.com/theonlinejournal

Writers and Isolation

Writers write in isolation mostly. This can be both challenging and rewarding. Sometimes it’s in small groups or workshops, but mostly alone. Sometimes I wait until the last minute to write what I want? Why?

In the end, I try to listen to my inner voice that speaks my true thoughts that ultimately helps me cut through the nonsense that sometimes enters into my writing. Good writing comes from the true self.

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I use different methods to get in touch with my inner self. I meditate, move to a coffee shop or library, read a book of an author who is writing something similar to my project. Sometimes just sit quietly.

Join me in imagining and getting in touch with your inner self. Try writing from that one true voice.

If you’re writing in isolation, it’s probably because you love the craft, because you can’t not write. Sometimes this is in a group, or a library, or a coffee shop, but mostly it’s in isolation.

I’ll continue to blog on Thursdays. If you’d like me to make an announcement for an upcoming reading, publication or award, get in touch with me here.

Spring Renewal and the Writer

Around this time last Spring, I was looking at signs of renewal and planting herbs and vegetables at my New England home.

This renewal follows me into my writing study where I sit at a big desk. The steadiness of the land and muted tones of the spring exude a calmness. I am ready to sit down and write.

I spent this winter, and many past winters, in different parts of Central America: Costa Rica, Cuba, Nicaragua, Mexico and Panama. This is a type of infusion of new experiences, different language, cultures, and places. The sun is bright and the colors are bold. In Costa Rica, I have a big porch that faces the mountains and I write outside.

So this Spring I strive to combine both my worlds, the stimulation of the sights and colors of Central America, with the slow, steady unfurling of Spring in the Northeast. It’s good to add new experiences to the consistency of my writing process. How do you stimulate your writing process?

I will be writing on Thursdays and posting literary events on that day. Follow me here at WordPress.

Writing and Meditation

Many writers are also meditators. Some even write about the relationship between writing and mediation. I am a meditator and a writer. I meditate in the morning and write in the morning. I also practice yoga. To me, these are all intertwin

The U.S. alone has an estimated 36 million yoga practitioners. It has adapted to local socio-political and cultural norms world over so much so that it can hardly be called an Indian custom. Yoga originated in India. The system of yoga has physical, mental, and emotional dimensions in addition to spiritual underpinnings. But yoga is not a religion. It has no dogma. But the practice for me is essential to my writing and brings me to a place where I can write truth.

Meditation helps improve focus. Something essential for the good writer. I began meditating years ago with a meditation method popular at that time, Transcendental Meditation. Maharishi Mahesh Yogi developed this mantric method of meditation in the 50’s in India, and it spread widely throughout the world. For me, it was a good place to learn the technique, but my meditation practice evolved when I combined meditation with yoga, especially Kundalini. Kundalini is a spiritual energy or life force located at the base of the spine, conceptualized as a coiled serpent. It didn’t matter which type of meditation I was using, as long as it focused my mind and enabled me to write from that place.

Meditation provides a safe space to be. Meditation slows the world down to make room for creative thought and exploration. It’s an ideal practice for the writer or artist.

Have you had experiences with writing and meditation?

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I will be blogging on Thursdays, with occasional literary announcements, but I’m taking a few Thursdays off. Follow me here on WordPress.