poetry

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Ekphrastic Reading September 14 at Moonlit Sea Prints Gallery in Easthampton Massachusetts

The Easthampton Art Walk will feature works by several galleries, but Moonlit Sea Prints in Eastworks will sponsor a reading in conjunction with their Japanese Woodblock Print Show “Stories With Shotei.”

The Moonlit Sea Prints Gallery features prints by many Japanese artists, including Hiroaki Takahashi (Shotei,) Kiyoharu (Ginnosuke)Yokouchi, and Hiroshi Yoshida. The Moonlit Sea Prints Gallery curates Japanese woodblock prints that touch the soul and imagination.

I will be reading a poem about a Shotei print, “Coming Ships,” along with many other poets, like Jennifer Delozier, who will be reading about “Two Ladies Catching Fireflies.” The reading will take place at 5 pm on Thursday, September 14 at Eastworks, Moonlit Sea Prints Gallery at 116 Pleasant Street, Suite #226. It’s on the second floor, and there will be a flag signaling the gallery in the hallway. A QR code next to the prints will allow you to read the poems on your smart phone.

Hiroaki Takahashi Shotei was a Japanese woodblock print artist of the early 20th century in the shin-hanga art movement whose work generally focused around beautiful landscapes and scenes of everyday life. Many of his works are beautiful vignettes, many easily leading the viewer to imagine the stories transpiring within the images. Moonlit Sea Prints of Easthampton MA will be presenting this exhibit, “Stories with Shotei,” showcasing the works of Hiroaki Takahashi Shotei paired with short stories

The show will continue for a two-month period at Moonlit Sea Prints Gallery. I will continue to blog on Thursdays. If you have any readings coming up, let me know. I’ll blog them here.

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Anton Chekhov on Description

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” – Anton ChekhovIMG_0187

To vividly describing a place, person, or thing is to imagine it in your mind’s eye. If it exists you may prefer to look at it or a photograph. Either way, you’ll start with some scene before you without dividing it into objects or attaching any words to it. Just form an impression of the colors, textures, shapes, and feeling.

Most importantly, refrain from your impulse to name them. Just picture and observe.

Then, be careful to select the right words to convey the place. If the words that come to mind don’t seem adequate, look in a dictionary, ask around, or do some research. Be sure to keep searching until you have the closest match possible between observation and language. While it’s okay to stop short of perfection, since words and thought inevitably fail to capture perception, keep revising until you can’t think of any way to improve your description further.

Instead of allowing the meaning you want to express to decide the words, you can be seduced by alliteration, rhythm and other sonic features, or fail to escape from customary phrasing, and allow language itself to decide what it is you want to say. This is for description in fiction or nonfiction. Poetry, of course, calls out for those sonic features.

In this way your description will serve you well in your writing.

I will blog on Thursdays. Follow me here.

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I am grateful to Poetry Super Highway for Making Me Poet of the Week on Poetry Super Highway December 26-January 1, 2023. Take a look during that week:

Poetry Super Highway

I am grateful to have been chosen “Poet of the Week” on the Poetry Super Highway. Check it out on December 26-January 1, 2023 for my poem “A Paddle Into Childhood.”

Happy New Year to All. I’ll see you again in 2023.

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Thank You to Vita Brevis Press for Publishing Two of My Poems

I am grateful to Vita Brevis Press for publishing my poems:

“3 a.m.“

“Respiratory“

in What is All This Sweet Work?: A Poetry Anthology About Love and Loss (2022). Take a look.

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Writing the Landscape

One thing I love about winter in the Northeast is the snow. Now the snow is going, and it’s officially spring this week.

Photo by Taryn Elliott on Pexels.com

I love the quiet, the writerlyness of the whole thing. But how does this affect my writing? I wrote a collection of poems about my partner who died of Alzheimer’s. We had spent a lot of time in Mexico, so this landscape came into my poems:

“When I think of Oaxaco

I remember the Zocolo

where they sold pipa del agua

and chocolate dripping from paper cups.”

The setting just naturally came into the poem. Does this happen with you?

Take look at my collection:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

I will continue to blog on Thursdays and do announcements, as they come in, on Tuesdays.

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New England Book Festival Honors Touch My Head Softly

I’m delighted that Touch My Head Softly was given Honorable Mention at the New England Book Festival. Take a look:

http://parisbookfest.brinkster.net/NE/

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Time Commitment and Writing

The difference I have noticed between successful writers who publish and people who want to be writers is the time commitment. The successful writer takes his/her writing seriously and carves out time daily to write.

Photo by Oladimeji Ajegbile on Pexels.com

The successful writer is disciplined about writing, if not daily, at regular intervals, and sticks to that schedule. We all go through periods of vacation, periods of time devoted to family and friends, but within those diversions, the writer has discipline about devoting time to the craft.

Never assume that something will get done because you’ve told yourself it will. Have a disciplined approach, and rely on writing groups, calendars, schedules, good word processing systems, in other words, the tools of the trade in good order. Then sit down and write.

It took me ten years to write my most recent collection, but I finished and published it. Take a look:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

I will blog regularly on Thursdays. I will make announcements on Tuesdays.