“The Best Way to Predict the Future is to Create It.”

–Abraham Lincoln

Photo by Pixabay on Pexels.com

So said the man who got rid of slavery in the United States. It is an inspirational quote.

How do we as writers stay inspired? Writers have difficulty carving out time and summoning inspiration. 

One way that keeps me going is the occasional writing workshop. There are so many opportunities online and in your writing community. I don’t take multi-week workshops unless I’m really trying to focus on something new and learn about it. I just take the occasional one-shot workshop to get some fresh ideas about my writing. Just google under a topic you might find interesting and see what’s available. Sometimes they are free, or very low cost.

Another way of finding inspiration is in a writing group. Listen to what others are reading and hear what they have to say about what you’re working on. Most communities have pockets of writers who meet up. Join a community group and see if you can get invited into a small group of your own. My writing groups have sustained me through the years.

Collaboration is another way I find inspiration. I particularly like collaborating with artists. I like reading a artist’s exhibits. This gives you inspiration and brings people in to see the art or art lovers in to hear some of your writing. It’s a win/win situation. You can also write ekphrastic poetry, or responses to art pieces. I recently did this with the Norwegian artist, Irene Christensen. She did a series of full-color paintings on women at the heart of the environmental movement. I found the paintings so inspiring, I wrote a whole series of ekphrastic poems in response and we wound up developing a 60-page manuscript called, Dread and Splendor: Paintings and Poems for a New Earth.

Follow me here on Thursdays. I’ll be blogging about writing, the writing process, steps to publishing, and the progress of our manuscript, Dread and Splendor: Paintings and Poems for a New Earth.

Friendship and Artists

I recently was given a book by a writer friend called A Friend Sails in on a Poem, by Molly Peacock. It is a book about two friends who are poets and it’s dedicated to “all friends who make art together”. It put me in mind of all of the friendships I have made of other artists and how easy it is to take these relationships for granted.

This book celebrates the friendship of Molly and her poet friend of 46 years, Phillis Levin. According to the book “they have read and discussed nearly every poem they’ve written, creating an unparalleled friendship.” It puts me in mind of all the years I have sat in writing groups reading to my writer friends and seeking their support in my endeavors.

The past two years I have been collaborating with the Norwegian artist, Irene Christensen, pictured on the left above. We met at the Julia and David White Artist Colony in Costa Rica years ago and it was our mutual love of nature and art through the years that eventually led to our collection of eco-poetry and art called Dread and Splendor: Paintings and Poems for a New Earth.

I guess when one artist collaborates with another, it creates an understanding of the other’s artists’ work that wouldn’t have been possible otherwise. Irene created a series of paintings about women at the heart of the environmental movement. I responded to these evocative paintings in the best way I know, through poetry. 

           Yesterday. Oil, 16” x 12” by Irene Christensen

I responded to Yesterday with a poem called “She Occupies Time,” which begins “no quiet merging with the azure, but an orange  sky, the earth bizarre with diasporic life.” The combination of painting and poem merge to become something new. A way of communicating in art that transcends painting or poem alone.

Irene started exhibiting her paintings with the poems I had written for them. Perilous Journey at the Galleries of the Interchurch Center in New York City. Queen of the Woods was exhibited with poem and painting at the Voices of the Earth Exhibition in Galleri Schaeffers Gate 5, Oslo,Norway. The painting and poem were sold together as that’s what the buyer wanted, the experience of having both the poem and painting together in his home.

The experience of collaborating and supporting each other as writers and artists is an invaluable part of the process. What has your interpersonal journey been like as a writer?

I will be blogging on Thursdays. Follow me here.

Poetry and Painting, “Perilous Journey,” to be Exhibited at Interchurch Center in New York City

My poem “Perilous Journey” will be displayed with the painting of the same name by Irene Christensen at the Galleries of the Interchurch Center, 475 Riverside Drive, New York City, from November 17, 2023 to January 4, 2024. In addition, Irene will exhibit eight accordion books (5 from inspiration from her AIRIE residency in the Everglades,Florida) and 20 oil paintings. The Interchurch Center is a a not-for-profit building built by the Rockefellers in 1950. @jrobertsstudio @norwaynewyork @gallerysitka @schaeffersgate5 @norskebilledkunstnere @nyartistscircle @culturelablic @licartists @beyond.art.oslo @nationalartsclub @artbookps1

From an Accordion Book by Irene Christensen

The painting and poem “Perilous Journey” appear in the environmental manuscript, Dreadful Splendor: Paintings and Poems for a New Planet.

I will refrain from blogging in December and begin again in January 2024. Happy New Year!

Anton Chekhov on Description

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” – Anton ChekhovIMG_0187

To vividly describing a place, person, or thing is to imagine it in your mind’s eye. If it exists you may prefer to look at it or a photograph. Either way, you’ll start with some scene before you without dividing it into objects or attaching any words to it. Just form an impression of the colors, textures, shapes, and feeling.

Most importantly, refrain from your impulse to name them. Just picture and observe.

Then, be careful to select the right words to convey the place. If the words that come to mind don’t seem adequate, look in a dictionary, ask around, or do some research. Be sure to keep searching until you have the closest match possible between observation and language. While it’s okay to stop short of perfection, since words and thought inevitably fail to capture perception, keep revising until you can’t think of any way to improve your description further.

Instead of allowing the meaning you want to express to decide the words, you can be seduced by alliteration, rhythm and other sonic features, or fail to escape from customary phrasing, and allow language itself to decide what it is you want to say. This is for description in fiction or nonfiction. Poetry, of course, calls out for those sonic features.

In this way your description will serve you well in your writing.

I will blog on Thursdays. Follow me here.

Reading September 3 at 6:30 pm

This reading is Arts Night Out for the Emily Dickinson Museum, September 3 at 6:30 pm. I will read with two other excellent writers, Cheryl J. Fish and Kathryn Holzman.  I think I’m up third.

 

The Facebook event is here:

 

https://www.facebook.com/events/309599143564557?acontext=%7B%22action_history%22%3A[%7B%22surface%22%3A%22page%22%2C%22mechanism%22%3A%22page_admin_bar%22%2C%22extra_data%22%3A%22%7B%5C%22page_id%5C%22%3A131680596860548%7D%22%7D%2C%7B%22surface%22%3A%22events_admin_tool%22%2C%22mechanism%22%3A%22events_admin_tool%22%2C%22extra_data%22%3A%22[]%22%7D]%2C%22has_source%22%3Atrue%7D

 

 

Here’s the link to my new book, Touch My Head Softly

red framed eyeglasses on newspapers

Photo by Suzy Hazelwood on Pexels.com

:

 

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Emily Dickinson Museum Reading September 3

FLP CoverI will be reading for the Emily Dickinson Museum on Thursday, September 3 at 6:30 pm in conjunction with Amherst Arts Night Out. Here’s the link to Amherst Media where you can view it:

https://amherstmedia.org/channel/15/schedule

 

Grateful to Straw Dog Writers’ Guild for Publishing My Poem “Current Times”

Current Times

by Eileen P. Kennedy

When this is over

may we not scorn and forget

the feel of a hand

 

Published June 13, 2020 by Straw Dog Writers’ Guild, Pandemic Project

Check out the sight:

https://www.strawdogwriters.org/pandemicprojectDSCN0807

Virtual Reading Sponsored by the Quabbin Quills and the Athol Library Wednesday at 6 pm

On June 24, Quabbin Quills and the Athol Library will sponsor a virtual reading by Marie Eclair, Michael Young, Eileen P. Kennedy and Diana Norman.

https://www.facebook.com/events/811618845914455/

Tune in at 6 pm.

red framed eyeglasses on newspapers

Photo by Suzy Hazelwood on Pexels.com