“Poetry is a naked woman, a naked man, and the distance between them.” ― Lawrence Ferlinghetti, Poetry as Insurgent Art

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Lawrence Ferlinghetti, author of A Coney Island of the Mind, Love in the Days of Rage, and Pictures of the Gone World, died at age 101. He identified as a philosophical anarchist and was part of the beat movement, including Allen Ginsberg and Jack Kerouac. He co-founded City Lights Booksellers & Publishers in San Francisco. He was also a fine artist who painted for many years.

He gained notoriety when he published Allen Ginsberg’s “Howl,” and was indicted for selling obscene material. This led to a famous censorship case, the People v. Ferlinghetti, that forwarded the cause of stopping convictions for selling books. The failed attempt at prosecuting him led him to joke that “the police took over the advertising account and did a much better job.”

He was a rebellious poet, a courageous publisher, and bookseller who would not be intimidated about selling books. He was a major literary figure and force who will be missed.

My new book of poems, Touch My Head Softly, is just out from Finishing Line Press. Check it out:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

I will blog on Thursdays, and Tuesdays when I have announcements.

“’Speaking onto the page’ (is) letting our fingers be guided by the mental process we use effortlessly in everyday speaking.” –Peter Elbow, Vernacular Eloquence (Oxford, 2012)

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For any of you who have practiced Elbow’s freewriting technique, “speaking onto the page,” is it a useful method?  Whenever I get stuck, I do this.  I’ve done it in writing groups, speaking into a recorder, or just reading aloud for myself.  It seldom fails to produce some piece of writing.  The writing may not be my best, or may wind up unused, but it’s a way of getting started and perhaps generating something that eventually will be used.

Elbow also recommends this for editing, for writing that winds up ‘correct.’ You can do this while keeping those virtues of natural speech, and getting rid of what’s not suitable for the genre you’re writing in.  This can also add a new infusion to your old writing, by speaking it onto the page, reading it out loud, and hearing what sounds easy. Sometimes when you hear it, it just sounds different than when you read it.  I used this technique in developing my new collection of poetry, Touch My Head Softly.

This is the link to my new collection at Finishing Line Press:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

This is the link to my new collection on Goodreads:

https://www.goodreads.com/review/show/3609820860https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/