Rejection Therapy in Writing

Ok, so your piece has been rejected. As writers, we all go through it. Rejection can be defined as the act of pushing something away. We submit a piece or a manuscript somewhere where we think it will be a fit, and the powers that be don’t see it that way.

One thing I find that helps is knowing that publishing is just a business. A publisher is looking for something specific and your writing may not fit the bill. It doesn’t mean that it’s bad, it just means it’s not what the publisher is looking for.

Most editors don’t comment on their rejections, but if you do get feedback, you may learn from it. I had an editor tell me I was using too many adjectives and adverbs. I took the advice to heart and started editing them out, and it made my writing stronger.

When a piece has been rejected several times, I try revising it. Language in its uneducated, natural form, reveals if we uncouple our own judgment and explore linguistic vehicles, the piece may be better. In poetry, it sometimes means trying a different format. If it’s a free verse poem, I’ll try something more formal, like a pantoum or sonnet. It sometimes can provide a different, more successful vehicle for the piece.

Another thing I sometimes try is reordering the piece. The last line might not be right. The last line might be found a stanza or two up. Maybe I’ve done too much explaining, and it wants cutting. Or the beginning of the piece might better serve it in the middle.

When I did my last collection, “Touch My Head Softly,” I kept rearranging the order of the poems. Then I realized nothing fit the beginning. So I wound up writing a prose poem to start off the collection.

When I’m going through rejections, I sometimes remind myself why I like to write, and this often makes me feel better. I wrote the poems in Touch My Head Softly, about my partner who died of Alzheimer’s in his sixties. It helped me to get through my grief by doing this and this became an end in itself.

You can view my collection Touch My Head Softly, at:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Touch My Head Softly can be viewed on Goodreads at:

Photo by Ylanite Koppens on Pexels.com

https://www.goodreads.com/review/show/3609820860https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

How do you revise?

You have a poem that has some interesting ideas or rhythms, but it’s just not making it? Here are some things I do when I revise a poem to work:

Take some of your lines, split them down the middle, and regroup them e.g.:

Here are the shelves of unread books

An immigrant who stands on the edge of the forest

becomes: Here are the shelves on the edge of the forest

An immigrant who stands on unread books.

Or try to take a poem and erase words, e.g.

In first grade

We learned the names of dandelions and birch trees?

Forgot them & relearned them. 

They didn’t make much sense to us,

because we were in New York City

where there weren’t many flowers or trees.

becomes:

Trilliums, sweetgum trees,

forgetting, relearning.

No sense,

New York City,

No flowers or trees.

Try rewriting your poem from a different viewpoint:

Two brothers planted a sequoia in the orchard one afternoon

becomes: All afternoon my brother and I worked in the orchard planting a sequoia.

When I wrote my new book, Touch My Head Softly, I went through many revises:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy

What do you do to revise?

I will be posting on Thursdays, and on Tuesdays, if I have an announcement.

My new poetry collection can be viewed here:

https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/

Here is the link to my book on Goodreads:

https://www.goodreads.com/review/show/3609820860https://www.finishinglinepress.com/product/touch-my-head-softly-by-eileen-kennedy/