Come join us if you are in the area. I will be blogging again monthly about the new book.
I Will Be Reading from my new book Dread and Splendor at Wordshed, NYC on September 28
memoir
Titles
Titles of books, short stories, poems, are very important.
Corporations spend millions to find the name of a product. Thought should be put into how you title your creative product.
Let’s discuss book titles. The first thing anyone hears about is the title of your book. It even precedes the cover. Once the artist knows what the title is, he/she can work on the visual concept. Think about what you will call your book. Here are some things to think about:
.It should give an idea of what the book is about.
.It should be easy to say.
.It should be memorable.
.It should grab your attention.
When we were deciding on a title for our manuscript, Dread and Splendor: Paintings and Poems for a New Earth, we tried out a lot of titles. The first one was “Dreadful Splendor” from a W.B. Yeats poem. This was taken by a previous book, so we changed it to “Dread and Splendor.” We thought this encompassed the “splendor” of the art and poems and the “dread” of the environmental crisis. Then we decided this didn’t really tell what the book was about and we added the subtitle “Paintings and Poems.” At first we had “Paintings and Poems for a New Planet.” But then we thought it sounded too much like speculative or science fiction. So it became “Dread and Splendor: Paintings and Poems for a New Earth.”
The same is true of a short story, poem or play title. Editors look at hundreds of poems and short stories.
If you follow the guidelines above, you’ll draw attention to your piece from the beginning and have less change of being passed over.
Sometimes for titles a phrase can be used from the manuscript can be just the right thing. If you have a concept that is long, write it down and then edit it.
Try discussing your book using the title and seeing if people understand and appreciate what you’re saying. See if they ask questions and are interested in the title and what you have to say.
Choosing the perfect title is mostly about trial and error. If you try out a number of titles, the best one becomes clear.
I will be blogging monthly, taking about the production of Dread and Splendor: Paintings and Poems for a New Planet through publication and beyond. Follow me here.
From What Perspective Do You Tell Your Story
Voice is a rather abstract concept in writing and fiction generally. But it’s so important that it deserves mention as one of the core aspects of writing. Voice, quite simply, is what the narrator sounds like. Voice includes the narrator’s emotions, attitudes, perspective, and tone.
As you read the piece, you can hear the narrator’s voice in your head, and the voice leaps out in a particular and funny way. This is especially true in pieces where the narrator is some kind of interesting or unusual character.
Additionally, voice is multi-layered. It includes both the general writing voice of an author, as well as individual voices that are tied to specific pieces of writing. In poetry, you can write a narrative poem in all kinds of voices.
Some writer’s tones are incredibly distinctive, and their sentence structure, length, word choice, and the way the paragraphs flow are original to their writing. In a longer literary work, readers will likely come across different voices as writers create different characters. When considering the difference between the author’s voice and the character’s voice, it’s important to pay attention to when one is used. A character’s voice is specific to a character in a literary work. It is created in order to define them as an individual. Readers should be able to tell the difference between major characters based on their speaking. One character might be well-educated and prone to using large words, while another might have more basic education and find the former’s use of language elitist.
When using a third-person narrative, the narrator is omniscient or outside and telling about the action. “Half a league, Half a league onward, into the valley of death, rode the six hundred.*” is a famous example of third-person narrative.
First-Person narrative is another way to tell a story. Edna St. Vincent Millay’s “What My Lips Have Kissed and Where and Why” begins “What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain under my head till morning; but the rain Is full of ghosts tonight, that tap and sigh…” Or this famous line from “The Telltale Heart,” by Edgar Allen Poe It was the beating of the old man’s heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.” The speaker of a first-person narrative does not necessarily have to be the author, but can be totally invented.
However you choose to tell your story, choose your narrator wisely. It will really make a difference in your piece. Follow me here the beginning of the month as I blog about writing, the writing process, and publishing.
*”The Charge of the Light Brigade,” by Alfred Lord Tennyson.
How to Enhance Your Story
Writing a good story is essential to any genre. Story writing is a key element of being a competent writer.
If you want to be as complete a writer as possible, it is important that you know how to write a good story. Story writing is a common skill for most writers, it is something that most writers take for granted. In truth, you must develop your writing skills to the best of your abilities.
If you want to reach your full potential as a writer, you will need to tell a truly great story. Before you start writing your story though, you should make sure you know what story writing really is, and what the elements are needed. The five elements of a story are character, plot, setting, conflict and resolution.
This is simple enough, but how do you make your story stand out?
One way to do this is to have your manuscript reviewed by a more experienced writer. There are many writers you can hire to do this or you can join a writing group. A good writing group will put everyone on an equal footing where everyone reads and the group comments on the piece. This can be done in a generative group, where everyone is writing something new right there and everyone shares or a critique group, where a manuscript, or part of one is sent out in advance by a group member and then the group reads it and offers critique. This route can be more difficult to do than paying a consultant, because you will want to feel comfortable with how the group operates before you can feel the feedback is helpful.
I was writing a collection of eco-poetry because I am passionate about climate justice. Then I met the Norwegian artist, Irene Christensen, who was doing a series of paintings about women at the heart of the environmental movement. We decided to collaborate and came up with a 60-page manuscript called Dread and Splendor: Paintings and Poems for a New Earth.
Another way to improve your story writing skills is to read other stories. I try to read something new on a daily basis. The more you delve into new literature, the more concepts and ideas will find their way into your own story writing.
But the most important thing to remember about being a good writer is to keep at it. A good writer writes everyday. Even if what you’re writing that day is not going well, if you keep at it, you’ll eventually get to something that works. You can’t sit down the first time and tell a wonderful, well-written story. It takes practice.
Follow me here on Thursdays. I will be writing about the writing/publishing process and the progress of my manuscript Dread and Splendor: Paintings and Poems for a New Earth.
The Writer’s Notebook
Every writer should keep a notebook or journal. A stray piece of paper wouldn’t do. I have always had a notebook, but I have been using my iPhone as a notebook these last few years. I find that I lose my notebook, but always have my phone. You can also use apps, such as My Journal. I was thinking about the long relationship that I’ve had with notebooks, and their centrality to everything I do, the way that they foster my creativity across years and decades.
I’m sure that’s true of most other writers. And yet, whenever I see guides to keeping a journal online, I rarely recognise my own practice in there. I’ve seen so many idealised journals, designed for public display, written in overly neat handwriting using multi-coloured pens, filled with motivational quotes and orderly bullet points. This kind of journal feels wrong to me, reeking of an overly disciplined school: the people-pleasing, self-conscious, high-pressure spaces of my school books. The tyranny of good presentation and legibility.
In my view, a notebook should be unorganized. It should be random thoughts that you want to pick up later. I’ve written many poems from random thoughts I’ve had a movies, while reading, while listening to music, or just going to the supermarket.
Your notebook should be written for nobody’s eyes but your own. It’s a completely private space, where you are the only one writing and reading. You should never show anything directly from its pages, and certainly don’t let anyone have a flick through. This gives you the freedom to write anything in it That might be my darkest thoughts or my fragile feelings; but mostly it’s just terrible writing. Be incoherent, self-pitying, tacky, boring or stupid in this space. It’s nobody else’s business.
I’ll be taking a break from blogging for the month of August. Follow me here again on Thursdays after Labor Day.
Exercise Stimulates Creativity
According to a new study by Scientific Reports* “the pattern of findings argues for shared variance between bodily movements and creativity or fluency and originality.”
Therefore many writers, including me, exercise as part of their creative process. The physical state of our bodies, and our willingness to routinely move them through space to the extent we are able, can either serve or subvert the quest to create.
There are studies about how aerobic exercise both increases the size of the prefrontal cortex and facilitates interaction between it and the amygdala. This is important to creators because the prefrontal cortex is the part of the brain that helps tamp down the amygdala’s fear and anxiety signals.
Dr. Jennifer Heisz, author of Move the Body, Heal the Mind, shares deeply compelling insights and research about the connection between movement and anxiety, depression, working memory, mental flexibility and creativity
I swim everyday first thing in the morning, then I write. I have been following this pattern for years and find it works for me. Artists, writers and any other driven creators use movement as a powerful tool in the quest to help transform the persistent uncertainty, fear, and anxiety that accompanies the quest to create,
Anyone involved in a creative endeavor might consider movement, as a potent elixir to help transform the uncomfortable sensation of anxiety from a source of pain and creative stagnation into something not only manageable but usable.
A growing body of research on the therapeutic effect of exercise on anxiety, mood, and fear illustrates the often sustained anxiety that rides organically along with the uncertainty of creation. As artists, we need to cultivate the energetic capacity needed to give our brains what they require to function long enough, and at a high enough level, to have even a shot at closing the gap between idea and performed piece or manuscript. We need to not only train in the craft, but also do what we can to equip ourselves to flourish along the way.the creative process, especially in the context of a larger work, is a survival event.
What form of exercise do you use to feed your creativity?
I will blog on Thursdays on creativity, the writing process, readings and publishing. Follow me her on Thursdays.
*“Everyday bodily movement is associated with creativity independently from active positive affect” by Rominger, et al. Scientific Reports.
Creativity and Overcoming the Blank Page
Have you ever thought “I have a book inside me, waiting to be written”? As an aspiring author myself, I know that yearning all too well. I spent a lot of time staring hopelessly at blank pages, willing the words to flow but finding only frustration. My dream of writing a book felt out of reach. You may be creative, but if you’re staring at a blank page, it doesn’t matter.
People who are creative are happier, healthier, and less lonely. A published poem can lead to a reading, a painting to an exhibit, a song to a concert. I recently wrote an ekphrastic poem recently to my friend’s painting and she sold it, with the poem. All of these things put us, and our art, out into the world to see and be seen and to interact.
A creative ability is a skill to use our imagination to solve a problem. We may feel stuck with a problem, but if we read up on how other people have solved this, or ask a friend how they solved this, we are using creativity to problem-solve.
You don’t have to be an artist to exercise your creative ability. You can use this skill to fulfill dreams, problem solve, and improve communication skills.
Follow me here. ‘ll be blogging on Thursdays. Good luck with your creative endeavors.
A Career As a Poet
There’s no money and little interest in poetry. One of the reasons for lack of interest in poetry is the way it was taught in school. You were taught to find a meaning, which is work, like cracking open a walnut and digging out the meat. Sometimes poets add to their own problems by making their poems difficult to understand. A poet has to learn to connect with the audience.
So why do we become poets?
We become poets because we love poetry. When I read a good poem, it totally nourishes me. When I write a good poem, there’s no better feeling. Louise Nevelson, the sculptor, said “I’d rather work twenty-four hours a day in my studio and come in here and fall down on the bed than do anything.”
Seamus Heaney, the Nobel-Prize winning poet said “The aim of the poet and the poetry is finally to be of service to ply the effort of at the individual work into the larger work of the community as a whole.” Here he says the poet makes a contribution to society as a whole. Though it’s amazing to write a poem that pleases the author, to write something that touches the reader is about as good as it gets.
Letting the poem become part of your experience is invaluable. If you read a poem about a robin that touches you, it re-freshens the world. The next time you take a walk and see a robin, you will notice it.
Poets read other poets. This teaches us to write the kind of poems we like to read.
Writing poems can be exhilarating. Joy Harjo the Poet Laureate, says “I don’t know when the first poem was, where it came from, or exactly how. I just know how much I needed it…I was in the dark and decided to investigate the dark to find the light.” Writing poetry is just that, finding the light in the dark.
I collaborated on an eco-poetry manuscript with the Norwegian Artist, Irene Christensen called Dread and Splendor: Paintings and Poems for a New Earth. It’s currently out with publishers being considered for publication.
I’ll be blogging on Thursdays. Follow me here. Let me know about your own writing experiences and I’ll blog about the journey of my eco-poetry manuscript.
On Your Writing Space
Enjoying the Process, As Well as the Product
“What keeps life fascinating is the constant creativity of the soul.” —Deepak Chopra
In the pursuit of success, we often focus on the end result. In so doing, we neglect interest in the journey because we want to get there as soon as possible or we lose the desire to even reach the destination.
Many artists focus on the final product, but the secret is in enjoying the process of creation
The process itself is a reward. The creative journey should interest you far more than reaching the destination. I am currently working on a manuscript, Dread and Splendor: Paintings and Poems for a New Earth, with the Norwegian artist, Irene Christensen.
We forget forget to enjoy the journey, and in effect, we lose our desire to even reach the destination.Sylvia Plath said, “The worst enemy to creativity is self-doubt.
Creativity holds great significance when it comes to connecting with our soul or authentic self.
By tuning into that creative fire that burns within, we can connect more powerfully with the soul. For some people, creativity can even be more affective at this than meditation.
When we make room for creativity in our lives and activate our creative muscles, it can be transformative. It can strengthen our intuition, release stagnant energy, and align with our larger project, like writing a book or composing a song.
I will be blogging on Thursdays. Follow me here for the journey of the manuscript, Dread and Splendor: Paintings and Poems for a New Earth.
Eileen P. Kennedy Author 