There are things known and there are things unknown, and in between are the doors of perception.” ― Aldous Huxley
For the artist, the world is shaped by perspective. It is that ability to view things from their own unique point of view, yet contextualize this point of view in factual reality. Can everything be defined in a limited world? Can the artist place his/her/their work in the larger framework?
As a writer, I try to contextualize my work in the larger world, but it changes so rapidly. I find I have just gotten my pen around one situation when another arises to contradict the first.
I have been doing phone banks these past few weeks to get out the vote for the presidential election. I try to listen to other people’s perspectives when I speak with them because if there is no dialogue, there is no bridge to unification and understanding between people. If I can’t listen to someone, I can’t convince them of my point of view. The country is so divided that I fear we will never come together again. There are so many signs in front of people’s homes, even in my own community, that advocate different philosophies. How will we all find a common voice after the election?
The dream state is sometimes a source of inspiration for writers, but this is the opposite of reality. But writes thrive on illusion, on an alternate view of what is.
As we pass through daily living, we pass through many―colored lenses that paint our writing with its own view. Yet how do we bring our view back to the world view, so everyone can relate?
My book, Touch My Head Softly, was recommended by Brilliant Light Publishing. It is my perspective on Alzheimer’s Disease. Take a look: