
When you finally land that book contract, you have to deliver the final manuscript. I recently signed a contract with my publisher, Shanti Arts, for my manuscript, Dread and Splendor: Paintings and Poems for a New Earth. It was more complicated than my two previous poetry collections for two reasons. The paintings and poems were a collaboration between myself and the Norwegian artist, Irene Christensen. Also, we got two offers for publication, Shanti Arts and the publisher of my previous collection, Finishing Line Press.
It took several weeks to talk with both publishers and figure out, with my collaborator, which publisher was the right fit. I had a good relationship with Finishing Line Press and its publisher, Leah Maines. I had published my last book with them, and had a good experience with it. Finishing Line offered a higher royalty rate and I knew they were more proactive about promoting their new titles than most publishers. But they offered the contract to me and not my collaborator, Irene Christensen. We collaborated together from the beginning on the project. Shanti Arts is an arts publisher who offered us both a contract, but is not known for new book promotion. Irene and I decided to go with Shanti Arts.
Now I am in the process of preparing the manuscript for publication. As a poet, I want to put my best work into the published product. I have been workshopping my poems from the manuscript in my writing groups, relying on my fellow writers to help me edit and rewrite. I then have to pass them by my collaborator, Irene, who supplies the paintings that I responded to in poetry. Finally, I have to get it to my publisher, Christine Brooks Cote. Irene has to have the artwork ready as well.
After Christine receives the manuscript, it takes her a year to publish, with much going back and forth. Since there is a full-color painting with every poem, it takes longer to publish.
I will keep you posted here on the upcoming process, from contract to published book, and beyond. Follow me here on Thursdays.
